If you enjoy dark comedies, have even a passing understanding of the film industry, or simply recognise the absurdities of the world around you, then Mollywood Times emerges as one of the sharpest and most compelling love-hate letters written to Malayalam cinema, applauds Sreeju Sudhakaran.
The greatest pleasure of Bandar is watching Bobby Deol let go of his vanity and submit himself to Anurag Kashyap's unflinching filmmaking, notes Mayur Sanap.
Kattalan tries to roar like Marco with blood-soaked violence and mass swagger, but ends up as a noisy, identity-less actioner with little bite.
Jackie Shroff is winsome in a role that leans on his faded charm as veteran star, notes Mayur Sanap, and there is effortless warmth he brings to Jagdish that makes even the simplest moments land.
Chand Mera Dil flickers like an LED bulb in an artificial sky instead of a real chand, sighs Mayur Sanap.
Made in India: A Titan Story chronicles the history of the homegrown watch brand Titan, highlighting its journey from challenging a conservative market to becoming a successful consumer brand, driven by the vision of Xerxes Desai and the mentorship of J R D Tata.
Blast mixes engaging family drama with massy martial arts mayhem to deliver a thoroughly entertaining action ride.
Ritwik Pareek's debut feature film, Dug Dug, offers a brilliant satirical and philosophical exploration of the fine line between faith and foolhardiness, observes Sukanya Verma.
Tovino Thomas storms into Athiradi like a one-man festival riot, turning this colourful campus entertainer into a loud, chaotic and mostly enjoyable ego clash.
Hai Jawani Toh Ishq Hona Hai faithfully recreates the chaos, clichs and comic sensibilities of a vintage David Dhawan entertainer, for better and often for worse, notes Sreeju Sudhakaran.
An underwhelming thriller that never quite hits a home run, despite a solid John Krasinski doing his best, observes Mayur Sanap.
Randeep Hooda returns as the titular supercop in Inspector Avinash Season 2, but the series struggles to maintain narrative coherence and pacing, sighs Sreeju Sudhakaran.
Ayushmann Khurrana, known for consistently breaking conventions with his choice of roles and projects since his 2012 debut in 'Vicky Donor', is gearing up for his new release 'Pati Patni Aur Woh Do'. Ahead of its release, a list ranks his top 10 standout films, highlighting his unique contributions to Indian cinema.
The Star Wars franchise as a whole has struggled creatively in recent years, and sadly, Grogu's cuteness alone is not enough to save the day, asserts Sreeju Sudhakaran.
Lukkhe plunges into Chandigarh's dark underbelly, exploring a drug epidemic, political corruption, and a burgeoning rap scene, though its narrative often feels like a familiar crime drama, notes Deepa Gahlot.
What works for Lock Upp Season 2: Sach ya Sazaa is the dramatic energy the contestants bring along. Whether they are successful, desperate or struggling in their respective careers, each one seems willing to bare a part/all of themselves on this platform, informs Divya Nair.
As Curry Barker's Obsession arrives on OTT this week, Sreeju Sudhakaran revisits the chilling psychological horror film about the terrifying implications of a man's desire to control a woman's affections.
Drishyam 3, the latest installment in the popular Malayalam franchise, struggles to maintain the ingenuity and thrilling narrative of its predecessors, with Georgekutty's once-brilliant facade showing significant cracks, leading to a convoluted plot and a less engaging antagonist-driven conflict.
The strength of the human spirit in the face of oppression and collective action is a theme well suited to these divided times, but Pallichattambi needed to be more precise and focused in its imagination to the make the noble intentions stick, notes Arjun Menon.
Ranveer Singh's record-shattering spy-action thriller Dhurandhar is set to captivate Japanese audiences.
The violent set pieces, exaggerated villains, ridiculous dialogue, and non-stop fan service all work in the moment. But once the credits roll, there is not much left to hold onto.
Not only is Samay Raina going the Kapil Sharma route by bringing celebrities as special guests on his show -- which also means he has to be careful that his jokes don't land them in trouble as well -- but he also has to promote sponsors blatantly, observes Sreeju Sudhakaran.
Dhruv Sarja's KD: The Devil attempts to deliver a grounded action experience but ultimately succumbs to a loud, generic gangster narrative, muddled storytelling, and excessive theatrics, sighs Arjun Menon.
The second season of the Russo Brothers' espionage series Citadel, falls short of its global ambitions due to muddled writing and a lack of compelling narrative depth, complains Sukanya Verma.
Junaid Khan and Sai Pallavi's Ek Din has an intriguing premise that ultimately falters due to weak chemistry and an emotionally underwhelming payoff, discovers Sreeju Sudhakaran.
The blandness of the script and the just about passable performances make Mercy a wearying watch, particularly since the complexities of euthanasia are not adequately explored, observes Deepa Gahlot.
From blink-and-miss song appearances to scene-stealing guest roles, Hrithik Roshan has turned even cameos into memorable moments.
The English subtitles in Dhurandhar The Revenge don't get it right, and at regular intervals, the sub-titles and the Tamil dialogues are saying different things. Those in the audience, who know both languages, can be heard laughing at each blunder, observes A Ganesh Nadar.
Billie Eilish: Hit Me Hard and Soft: The Tour: Live in 3D is packed with moments that are clearly meant to make die-hard fans go 'Aww,' but they don't really give a true look at the person behind the artist, notes Mayur Sanap.
Dridam starts well as this intriguing small-town investigative thriller worthy of the Jeethu Joseph school of suspense, only to trip over clumsy red herrings and over-explanations, observes Sreeju Sudhakaran.
Ironically, only three films have crossed over to the Rs 100 Crore (Rs 1 billion) Club so far. We look at the half yearly box office report.
Karuppu begins with a striking idea of God battling a broken justice system, only to turn into a routine Suriya mass spectacle.
Glory juggles its whodunit goals and estranged father-son equation across a hoard of suspects and unreliable allies. The upshot is uneven yet watchable because of the talent on board, notes Sukanya Verma.
Before Welcome to the Jungle, here's a look at the movies where Akshay Kumar tried to entertain us in double roles.
If only Pati Patni Aur Woh Do were as funny as its director intended it to be, that would have been reason to celebrate, notes Sreeju Sudhakaran.
Dhurandhar - The Revenge arrives this week and all eyes are on how entertaining the film turns out to be and how much money it makes at the box office. A look at the Top 10 biggies in the Hindi spy film genre.
Bollywood is super busy this July. Joginder Tuteja lists the movies coming up in theatres.
Sapne vs Everyone is dark, and often depressing. At the same time, it is not completely hopeless, notes Deepa Gahlot.
Ashish R Mohan's Daadi Ki Shaadi, starring Neetu Singh and Kapil Sharma, offers an outdated plot that fails to deliver on humour or emotional depth.
Exploring memorable scenes that celebrate football in the movies.
